Ironstone Off-load Chutes and the SMJ Bridges Tony Marsh 19 December 2015 One
of the Ironstone Works images that was included in George Freeston's
collection Introduction Whilst the arrival of the SMJ railway* inconvenienced the earliest ironstone miners, it is clear that for a period that eventually extended to ~1950s the miners made good use of the railway to ship out the ore. In recent discussions with Barry Taylor, author of an emerging book on the SMJ railway, the question was raised regarding the location of the extremely distinctive ironstone off-loading installation depicted in the website photograph 18-09 and also shown here in the inset. It shows that the stages involved in the off-loading were to (a) position horse and cartload of stone in the box at road level (horse to the right), (b) open a hatch and the side of the cart to let sufficient load down into a trolley-wagon running on a level set of rails, (c) roll the trolley to its limit of travel and open its end (and maybe tilt it) to (d) facilitate it being emptied into a chute over a rail wagon waiting at a siding to the main SMJ line. There are two ways to determine which of the four bridges that cross the Gayton parish cutting must have hosted this off-load installation. One is to consider the evident geometry in the photograph with some broad-brush dimensions extracted from the on-line Government Lidar survey data. The other is to simply walk through the entire cutting examining and photographing all four bridges from both sides - this proved to be very difficult and for some views impossible because of the virulent ivy which has covered the bridge parapets and facings. Bridges
The
bridges are highlighted in red in an inset below. Working towards the south: In the historical records there is already evidence of a shoot (sic.) being once installed at road bridge No. 2. Only the box for the cart is shown in this diagram, arrowed in blue in the inset. The plan, dated 1905, was mainly to convey early 20th century changes to the tramway, blue crayon, that lies to the west of the cutting. It was copied and supplied by Barry Taylor. Perhaps this chute is the same one as depicted above but first consider the dimensions of the four bridges, as indicated in the Lidar imagery..
So for this "shoot" to work, an additional wooden chute would have been used which could connect the off-load arrangement at the top of the embankment with the wagons waiting below in a siding. If placed by any one of the 3 span bridges then it would have been about 20 metres long and sloped at about 30 degrees. No chute by bridge No. 2 is shown in the plan and so was perhaps taken away by 1905. All the bridges with the exception of the private bridge No. 4 are similarly proportioned. The private bridge is located where the track is substantially level, ie. reached its maximum height before descending towards Tiffield at a point where the depth of excavation was at a minimum. A significant cutting, excavated by hand and barrow, extends for over a mile and this probably presented a problem regarding where the spoil needed to be taken. Geometry Photograph 18-09 tells us that the short piece of railway for the transfer trolley is near the same level as the camera lens. Given the man in the picture was about 1.8 metres tall, one can estimate that the road level is approximately 4 to 4.2 metres above the short rails. The camera tripod would be 1.5 to 1.9 metres high and standing firmly perhaps on a wagon floor which would be another metre from the track. These estimates yield a bridge height, road to track-bed, of 6.8 +/- 0.3 metres (and if the camera had been placed on the ground at more-or-less track level, this would bring the estimate down to only ~6 metres) suggesting bridge No. 4 as the likely location. Bearing in mind however that the angle subtended between the axis of the camera and either the bridge face or the track must have been in the region of 45° and knowing that common cameras c. 1900 could accommodate a field of view normally ranging over only from 25° to 50° the inevitable 'conclusion' must be that, for bridges Nos. 2, 3 and 5, the camera would have been floating in midair ! Expedition First the bridges Nos. 2 and 5 were inspected at road level to help determine "where would the camera be located" and make some assessment of brick facings and copings. Then an outing, starting from the stairs at bridge No. 5, confirmed that No.5 was never the host for the chute installation because of brick and coping stones style and the fact that the side arch was much further away from the boundary of the cutting. Bridge No.4 was a reasonably close match at first sight. Some aspects of the brickwork on the north face matched well but it was largely covered in trailing ivy. The face was photographed but attempts made to achieve a good schematic fit with the historical image were unsuccessful. Brickwork colour (courses of black brick), copings and the shape of the arch were also a poor match. It seemed likely the brickwork was the original but the coping was built with corbel black bricks rather than slabs. The main problem in achieving a good match was because the single arch was very broadly elliptical. Therefore my verdict was open until I could prepare an 8" shaving mirror attached with its swivel onto a 2 metre pole to enable a close examination of brickwork from above at the heads of the side arches in the 3 span configurations. There is no doubt at all that the verdict is the 18-09 installation was definitely at bridge No.2, just where it is drawn on the north side in the 1904 plan shown above. The camera angle relative to the bridge face was re-estimated to be about 37° when it was realised the bridge and its arch were considerable foreshortened. This had caused confusion over the horizontal distances between features. Referring to the diagram at the end of this article, the position and appearance of items A,C and D were in good accord. It appears that the parapet was rebuilt at some stage because the degree of out-sailing of courses at the base of the parapet was not a good match. Regarding the camera position one must conclude that the stanchions or the struts for the wooden tramway bridge must have provided support at about the right height and that the photographer must have had access to a very long lens tube and struck lucky in regards to catching the dog 'frozen' enough for the inevitable long exposure. It is a shame the photographer did not record the rest of the chute and the equipment at track level that would have been necessary to control the energy of the descending rocks. Other points are made in the Appendix. Chutes
Finally we turn to a review of all the known off-load-to-railway installations along
this cutting and the situation is shown in this third inset, based on OS
1899. Working from
north to south each chute is identified by date (plans were kindly
supplied by Brian Taylor): Whilst the arrival of the SMJ railway considerably inconvenienced the surface miners, it is clear that for a period that eventually extended to ~1950s the miners made good use of the railway in order to trans-ship to either the Grand Junction Canal or to the Birmingham to London main line. Records show that the relatively audacious overhead tramway used to work fields to the east just north of bridge No. 2 was in fact in place before the SMJ railway cutting was made. George Pell's sidings beneath that gantry once led to a tramway that served a siding beside the main line (a mile away). That tramway had to be moved to the west, out of the way of the cutting. Also, the gantry had to be rebuilt to cross the SMJ cutting, which is around 35 - 40 metres wide. The inset perhaps helps to visualise a timber construction using beams of up to 10 metres long. It was burnt down in 1929. Reference: Eric Tonks, The Ironstone Quarries of the Midlands, Part III - p39 (but lacks detail at this level) * the "SMJ railway" is more correctly named the Northampton and Banbury Junction Railway Appendix: The first picture shows the features in brickwork listed as testable item
The second demonstrates a recent picture taken through a hedge from a vantage point that was maybe 3 or 4 metres too high, at the edge of the cutting to the east and therefore from a considerable distance using a 200mm telephoto lens. The bridge details are traced with coloured shapes in a separate Photoshop level and this level is then applied to the historical picture. All the details were in one geometrical plane and so neither of the 'vantage point' details, mentioned above, would have challenged the ability to morph the bridge details to fit the historical picture. It would appear that the parapet has been rebuilt 4 or 5 brick courses higher, the brickwork reveal was rebuilt nearly a metre towards the bridge centre and evidently there has been modifications to provide a more substantial buttress. All of this work was done once the loading "box" had been removed. Anyone reading this might be unconvinced and suspect the "right bridge" has not been found. There is only bridge No. 3 (Gayton Wilds) left to inspect in a thorough manner but it is covered in ivy (see view to the south at bridge 3) and there is an even poorer chance of obtaining a interpretable shot through the opposite bank hedge. If there is a bid for this work I can help with a map and a mirror! I am forced to conclude that I was right in the first place: the camera was an ordinary one and was really in "mid-air" and there must have been a wooden bridge temporarily set across the cutting (perhaps part of the tramway bridge structure) on which the photographer could have stood. Basically, the 18-09 picture has too much perspective slanting of level lines for it to have been taken with a long lens. |